Our list of the Top 10 best Christine McVie essential Songs that proves that Buckingham and Nicks were just part of the singer-songwriter powerhouse.
christine mcvie essential songs
Long before Lindsey Buckingham and Stevie Nicks joined to make Fleetwood Mac become one of the biggest acts of the 1970s, Christine McVie was a member of the group. She started out as one of the group’s weakest songwriters after joining in 1970.
“Spare Me a Little of Your Love” (1972)
The smooth-gliding chorus of “Spare Me a Little of Your Love” highlights the combination of brassy bravado and soft vulnerability that would come to be a McVie trademark, placing it among the best of her early Mac songs.
“Say You Love Me” (1975)
“Say You Love Me,” written and performed by McVie, is a stunning early illustration of how she could elevate the frequently banal form of an enthusiastic love ballad.
“You Make Loving Fun” (1977)
Regarding the lighting director of Fleetwood Mac, with whom she was having an affair, McVie composed the song “You Make Loving Fun.” It was about her puppy, she informed her husband, Mac bassist John McVie. by Andy Cush
“Songbird” (1977)
The ballad “Songbird,” with its subtle blending of UK folk and traditional pop songcraft, highlights what makes her unique from her comrades more than any other song on the record.
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“Think About Me” (1979)
They recorded “Think Around Me,” a piece by John McVie that appears towards the album’s peak and provides Tusk with a jolt of pure pleasure, about four decades earlier.
“Got a Hold on Me” (1984)
After releasing her debut solo album, McVie followed it with her second. Her biggest solo hit, “Got a Hold On Me,” was produced in a way that is reminiscent of 1980s Steve Winwood, who contributed synthesisers to the song.
“Everywhere” (1987)
Another christine mcvie song is “Everywhere,” which is distinctive from its glittering opening to its spinning chorus. It’s a rare song that you truly still want to hear no matter how many times you’ve heard it in. Everyone from Paramore to Vampire Weekend has covered it, and it served as a sort of model for Haim.
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“Temporary One” (1997)
The Dance also featured a brand-new McVie song called “Temporary One,” which is another another example of her talent for expressing mature and potentially sweet issues as perceptively as she can. In fact, she and her bandmates would reunite several times, both for following reunion concerts and for separate ventures like McVie’s 2017 album.